Alvin Ailey American Dance Theater's Jeroboam Bozeman.  Photo by Andrew Eccles
Alvin Ailey American Dance Theater’s Jeroboam Bozeman. Photo by Andrew Eccles

The Art of Seeing by Michael Milton

Jeroboam Bozeman and I both agree that there simply MUST be something in Brooklyns water system to account for the historic outpouring of talent from our city– from Aaron Copland to Busta Rhymes; Walt Whitman to Jean Michel Basquiat;  oh yeah, and lesser-known luminaries like Carl Sagan, Arthur Miller, Beverly Sills AND Barbra Streisand, Michael Jordan, Mike Tyson, Pat Benetar, Barry Manilow and hundreds more Nobel/ Pulitzer/ Oscar award winning artists, all Brooklyn natives.

And now Bed-Stuy resident Mr. Bozeman.  OK.  Probably the H2O has nothing to do with it.  Perhaps simply living in Manhattans shadow–literally and figurativelycould have helped nurture and make almost iconic the sort of scrappiness we have come to recognize through art as simply “Brooklyn-esque.”

Fast-rising lead dancer and choreographer Jeroboam Bozeman says, “When I know someone is from Brooklyn I just figure that WHATEVER their game is, they are in it 100%.  I love the history of Brooklyn.  I love that so many fighters come from herein all fields.”

Bozeman, born and raised in Brooklyn, is a glowing example of the kind of Brookly-nese energy we were both referring to.  And fueled by that energy, Jeroboam find himself now on the precipice of dance stardom at the Alvin Ailey Company.

Pronouncing Jeroboam is fun;  jeh-ruh-boh-uhm with the emphasis on the third syllable.  Biblical, of course.  He who pleads the peoples cause.  And expressing his message of love and unity through dance is, Jeroboam feels, a most pressing cause.

“Dancing wasnt something smiled upon when I was a kid,” says 25 year old Bozeman. “If Id asked my folks for karate lessons, it would have been no problem.  But ballet slippers?  They werent so into that.  The question for them was, I suppose, how will I make a living dancing?  They were just looking out for me.”

And how wonderful Jeroboam has gotten to answer that question for his folks so early in his career.

Jeroboam practically hums with energy; granted; in fact, hes been humming all day. I have caught him for an hour in the midst of his almost impossible-to-conceive of weekly schedule.  “If you love it, all you want to do isIT.  My IT is dance.  Sure Im tired by Sunday.  And I stay in bed for most of the day.  But I always want to get back here.”

Alvin Ailey American Dance Theater. Photo by Andrew Eccles
Alvin Ailey American Dance Theater. Photo by Andrew Eccles

We discuss the nature of adversity in helping an artist discover their vision, the REASON to create.

“This is silly but, like, I wanted to play Double Dutch in elementary schooland NOT play football.  That sounds sort of stereotypical, when you are an adult. But as a kid, you dont know that.  You just think there cant possibly be ANYONE else like you,” he said. “I only knew it felt lonely.”

Jeroboam confesses that he went mute for several years around that time.  “A poetic kind of mute-ness,” he explains.  “What was the point in talking, if no one understood me?  But in retrospect, isolation gave me lots of time to think about who I really was.  I was able to make bold choices when I was young.  I KNEW what I wanted!”

What about the effect of fame on the creative process on a career, I ask?  Bozeman leans forward.  “I dont do this for fame, and even as I say that, I know how corny that sounds. What I mean is, fame always has to be the result of, not the reason for what I do.  Look, for a dancer time is fleeting.”

He continues, “For me fame gives me visibility and the possibility of imagining for myself a lifelong career– as a dancer and hopefully later as a choreographer.  My idols here at Ailey have earned a living and made wonderful lives for themselves with dance at the center.”

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Jeroboam recently returned from a tour in South Africa.  “There is so much for Americans to learn from South Africa.  Mandela always encouraged his people to continue moving forward; a terrible past is to be learned from but not wallowed in,” he said. “Everyone I met in South Africa seemed eager to move on to the next and hopefully more embracing horizon of their history.”

“I am not the greatest technical dancer,” Jeroboam says somewhat modestly. And Id tend to disagree.  “But what I dobe it dance or just living my day to day lifeI do it with love, with all my heart.  For me, love is what is most important; it is what heals.  Why not strive for a soulful earthly union in our own lifetimes?”

An ambitious program, to be sure.

Still, spiritual reunification must– at some level– be the purview of all art.  As the world spins precariously forward, creating love is an imperative.  And rest assured, dancer Jeroboam Bozeman at The Alvin Ailey Co. fully embraces that imperative in his work.

(Alvin Aileys opening night for their 2015-16 season is Dec. 2nd at New York City Center.  Please check online for all of their NY dates through Jan. 3.)

Michael Milton

Michael Milton worked as an Associate Producer with Marty Richards, Sam Crothers and Robert Fryer at The Producer Circle Co. in New York City for over twenty years. Broadway: THE LIFE (2 Tony Awards),...

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